The films include: "Dada the Dancing Swan", directed by Mduduzi Janda, about Sowetan-born dancer and artist Dada Masilo (14 minutes) "Art from the Heart", directed by Neo Sefako, about botanical artist Sbonelo Chiliza (12 minutes) "Magpies of Barrydale", directed by Tamsyn Reynolds, about Magpie, an arts collective making chandeliers out of recycled rubbish (8 minutes) "Imaginary Maps", directed by Dowelani Nenzhele, about cartographic artist John Phalane (13 minutes) "Places of Meaning", directed by Pumlani Veto, about artist Christine Dixie (13 minutes) Catalogue of the exhibition of paintings, 34 Long Fine Art, Cape Town, 2009. Catalogue of the exhibition, Pertwee Anderson & Gold, London, and 34Fine Art, Cape Town, 2012. This book was published on the occasion of the exhibition, Baudoin Lebon Gallery, Paris, and Gallery MOMO, Johannesburg, 2013.
Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.
Includes the essays, "A Taste of the Mythical Moment, art as confirmation of our humanity" by Amanda Botha, and "Filaments of Narrative, sculpture and the unravelling of identity" by Ernst van der Wal, and notes by Andries Botha.
Andries Botha is Senior Lecturer in Sculpture at the Durban University of Technology.
He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.
His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.
He was born in 1966 in Johannesburg, where he currently lives and works.
A discussion between Alda Costa and Rafael Mouzinho" "The Royal 'We' or 'A Time of Entanglement'" by Pamila Gupta "Àngela Ferreira's 'Werdmuller Centre' and the Failure of the Modern" by Noëleen Murray Text in both English and Portuguese.Contributions include: "Foreword" by Andrew Lamprecht "Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen "Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe Anton Karstel was born in 1968 in Pretoria. Catalogue of the retrospective exhibition of sculptures, University of Pretoria Museum, 2010.Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland.Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles. Contributions include: "The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan "Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki "Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw.The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape. Contributions include: "The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal "Dreaming of Transcendence: Andrew Tshabangu's photography" by M.Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017. Neelika Jayawardane "Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung "'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena "The Value of Andrew Tshabangu's Photography" by Simon Njami "Andrew Tshabangu's City" by Bronwyn Law-Viljoen "Incomparable: the art of Andrew Tshabangu in context" by Michael Godby Andrew Tshabangu has been making photographs for over twenty years.The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.2 Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe. A collection of original African stories, written and illustrated by Capetonians. Barbara Wildenboer was born in 1973 and lives and works in Cape Town. He has a studio in Cape Town and travels frequently to Knysna.Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012.